《博學文庫·弗吉尼亞：伍爾夫的空間政治與空間詩學》從空間視角研究伍爾夫小說中所描繪的聚會即“派對”場景，旨在重新評估其作品中所隱含的更為廣闊的社會視野，以及這種視野與小說形式革新之間的關(guān)聯(lián)。《博學文庫·弗吉尼亞：伍爾夫的空間政治與空間詩學》以亨利·列斐伏爾和米歇爾·福柯提出的空間理論為框架，并借鑒了維多利亞·羅斯納、薩德·洛根、瓊·弗里曼等人對私人或日常生活空間的文化研究成果，是對國內(nèi)伍爾夫研究的進一步深化、拓展和補充。
Acknowledgements
List of Abbreviations
Introduction
Chapter One Escaping the Drawing-room Party： Reconstructing Female Identity， Rewriting the Courtship Plot
1.1 “A Lady Has to Spend Her Life ithe Drawing-room”： VictoriaDrawing-room and the Constructioof Gender Identity
1.2 Party ithe Colonial “Wild” iThe Voyage Out
1.3 Drawing-room Resistance iNight and Day
Chapter Two“The Party Begins ithe Kitchen”： Domestic Servants and Modernist Narratives
2.1 Kitcheand the Constructioof Class Identity ithe VictoriaHouse
2.2 IBetweethe Kitcheand the Drawing Room： The “GeorgiaCook” and Woolf's Literary Modernism
2.3 Clarissa's Party： TheKitchePerspective iMrs. DaHoway
2.4 The Servant's Hand behind Mrs. Ramsay's Dinner： Aestheticizing the Moment of InterruptioiTo the Lighthouse
Chapter Three Parties iLiminal Houses： Outsiders and the De-familiarizatioof the Family Saga
3.1 “AEnglishman's Home Is His Castle”： VictoriaHome and NatioRevisited
3.2 “AAbominable System”： Woolf's Critique of the VictoriaIdeology of Home and NatioiThe Years
3.3 “We Dine ithe Basement”： Remol~ng the English Home， Reworking with “Externality” iThe Years
Conclusion
Notes
Bibliography
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